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- "I was presented with a seven-or-nine-page written spec treatment. I didn't see any animation for it; I just heard sort of the broad strokes of what the show was about. And I read it, and I loved it, instantly, of course. The world, the setting, you know? In Hollywood, in the industry, where animals and humans co-exist, and there's nothing weird about it. It's just how it is. And I read it and I thought it was just so smart. Raphael explained to me that he wanted to not only do a cartoon that was funny, but also a cartoon that was incredibly tragic at times. I thought that was such a brave, cool idea." (en)
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