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- Kassel's sole mention of the 43-note scale is: "By 1941 Partch was in the Midwest, where he expanded his instrumentarium, ... set a final 43-tone gamut and began to compose for larger ensembles." There is no mention of Meyer at all, nor of Partch "refining" either the seven-limit diamond or his 43-tone scale after having decided on that compromise . (en)
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