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- amerikāņu kinorežisors (lv)
- direktor di sine merikano (pap)
- Amerikaans filmregisseur (nl)
- במאי קולנוע אמריקאי (iw)
- cineasta norte-americano (pt)
- regista statunitense (it)
- فیلمنامهنویس و کارگردان آمریکایی (fa)
- US-amerikanischer Filmregisseur (de)
- Αμερικανός σκηνοθέτης, παραγωγός και σεναριογράφος (el)
- амерыканскі кінарэжысёр, сцэнарыст і прадзюсар (be)
- réalisateur américain surtout connu pour \Voyage au bout de l'enfer\ et \La Porte du paradis\ (fr)
- americký filmový režisér, scenárista, producent a autor (cs)
- American film director (1939–2016) (en)
- আমেরিকান চলচ্চিত্র পরিচালক, চিত্রনাট্যকার, প্রযোজক এবং লেখক (১৯৩৯-২০১৬) (bn)
- US-amerikanesche Filmregisseur an Dréibuchauteur (lb)
- アメリカの映画監督、脚本家、プロデューサー (1939-2016) (ja)
- amerikansk filminstruktør (1939-2016) (da)
- cineasta estadounidense (1939-2016) (es)
- reżyser i scenarzysta amerykański (pl)
- yhdysvaltalainen elokuvaohjaaja (1939–2016) (fi)
- Amerikalı film yapımcısı ve yönetmeni; senarist (1939 – 2016) (tr)
- gamer yayan bima adalah seorang YouTubers Indonesia di memulai youtube nya 21 juni 2021 berasal dari kabupaten bima nusa tenggara barat bernama yayan pratama (in)
- амерички редитељ и сценариста (sr)
- cyfarwyddwr ffilm, cynhyrchydd a sgriptiwr ffilm a aned yn Efrog Newydd yn 1939 (cy)
- amerikai filmrendező, forgatókönyvíró, producer, 1939-2016 (hu)
- अमेरिकी निदेशक, पटकथा लेखक, उत्पादक और लेखक (hi)
- 美国电影导演（1939—2016） (zh)
- 미국 영화 감독, 제작자 (ko)
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- I can't write without placing my characters in space, I need to see in three dimensions inside my head, to have a three-dimensional space. I don't make flat movies. I don't work in a two-dimensional plane, I want to take down the wall of the screen, to bring the public inside the story and the adventure, through their eyes. I need to pre-imagine the film's architecture, the film's space, even the space of the room to create my characters. I need to see before I can write, and if I can't see I can't write. In other words, it has to be real and three-dimensional inside my head before I can put it on paper. (en)
- It will always be people who will interest me, I believe. It's people who give you the urge to make movies, characters. You have an attraction to a character, if he's interesting enough, that's what's important. I don't see myself making a film because it's from a certain genre, except a musical comedy, I would love to make a musical comedy. It provides a special pleasure which tempts me. (en)
- I believe that this research is an integral part of the film; the time spent watching people, talking to them, hitting the road, sleeping in those towns, walking down those streets. You notice things, some consciously, others involuntarily, that otherwise... It really approaches the work of an actor, you absorb a number of details; you notice a lot of things which, in a certain way, find their way back into the film. (en)
- I'm much more intrigued by a good building than by a good movie. I'm much more interested in a big bridge or a great new novel or a great painting. When I'm asked about my influences, instead of rolling out 20 filmmakers, I say Frank Lloyd Wright, [Edgar] Degas... [Gustav] Mahler... (en)
- There is nowhere in the world that you go that is not interesting, and my approach is to insinuate myself into the culture as much as I can. That's why, sometimes, it's hard for me to remember certain things because when I'm doing gangs in L.A., I'm really into the gang culture. I mean, I got to where I could read graffiti on the walls. I would go to rap clubs, and I mean, that's all that would be on [in] my car is rap music. And I'd drench myself in the culture, and it's hard to un-drench yourself. And just as you're doing that, you're inserting yourself into yet again a new culture. (en)
- One must love a place to be able to show grand landscapes on the screen. Nobody showed and made one feel Monument Valley like [John] Ford, although many tried. But him, he loved it, and if he was there and one could pose the question, "Why?", I am certain that he couldn't articulate a response, except to say that he deeply loved that place. When one loves a place, it shows in the images one makes. (en)
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