About: Recording studio as an instrument

Property	Value
dbo:description	treatment of a recording studio as a musical instrument with its role in the composition of music (en)
dbo:soundRecording	dbr:Recording_studio_as_an_instrument__Sound__1
dbo:thumbnail	wiki-commons:Special:FilePath/Studer_J37_4-track_ta...72),_Abbey_Road_Studios.jpg?width=300
dbo:wikiPageExternalLink	https://books.google.com/books%3Fid=4ckLKGTXRwQC&pg=PA38%7Cyear=2007%7Cpublisher=Ashgate https://books.google.com/books%3Fid=TQPXAQAAQBAJ%7Cyear=2013%7Cpublisher=ABC-CLIO%7Cisbn=978-0-313-39348-8 https://books.google.com/books%3Fid=ELeaCwAAQBAJ%7Cyear=2016%7Cpublisher=McFarland%7Cisbn=978-1-4766-2403-7 https://books.google.com/books%3Fid=EzmhhXUwyt4C&pg=PA329%7Cyear=1984%7Cpublisher=Perseus https://books.google.com/books%3Fid=Pit6yL_Few4C%7Cyear=2004%7Cpublisher=Boydell https://books.google.com/books%3Fid=Xb0hAwAAQBAJ&pg=PA45%7Cdate=2009%7Cpublisher=Cambridge http://golancourses.net/2009ems1/pdf/sound_eno-the-studio-as-a-compositional-tool.pdf%7Cyear=2004%7Cpublisher=A&C https://books.google.com/books%3Fid=DJM6FgvlWw0C%7Cyear=2001%7Cpublisher=University https://books.google.com/books%3Fid=PZ0R4_Oxr-4C&pg=PA18%7Ctitle=The https://books.google.com/books%3Fid=ZD9FDwAAQBAJ%7Cyear=2018%7Cpublisher=Oxford https://techcrunch.com/2016/03/28/revisiting-brian-enos-the-studio-as-a-compositional-tool/%7Ctitle=Revisiting https://archive.org/details/hesrebel00ribo%7Curl-access=registration%7Cyear=1989%7Cpublisher=Dutton%7Cisbn=978-0-525-24727-2 https://books.google.com/books%3Fid=CCLyCgAAQBAJ%7Cyear=2015%7Cpublisher=Open https://books.google.com/books%3Fid=hO-KQ4o_B2MC%7Cyear=2003%7Cpublisher=Chronicle
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dbp:align	right (en)
dbp:description	Author Mark Brend writes that, with Revolver, the Beatles advanced on Meek's approach, and employed the studio as "an environment for wide-ranging sonic research" that included experimentation with tape loops, reversed and speed-manipulated tape sounds, and backwards-recorded lead guitar parts. (en) Meek's best-known production, "Telstar", features a sped-up piano, a clavioline overdubbed three times, and a guitar that fades in and out of the recording. The piece won an Ivor Novello Award and sold over five million copies worldwide. (en)
dbp:filename	Tomorrow Never Knows .ogg (en) Telstar.ogg (en)
dbp:pos	right (en)
dbp:quote	There is no single instance in which the studio suddenly became recognized as an instrument, and even at present [2018] it may not have wide recognition as such. Nevertheless, there is a historical precedent of the studio—broadly defined—consciously being used to perform music. (en)
dbp:source	—Adam Bell, Dawn of the DAW: The Studio As Musical Instrument (en)
dbp:title	The Tornadoes – "Telstar" (en) The Beatles – "Tomorrow Never Knows" (en)
dbp:width	25.0 (dbd:perCent)
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dct:subject	dbc:Popular_music dbc:Recording_studios dbc:20th_century_in_music dbc:21st_century_in_music dbc:Electronic_music dbc:Musical_instruments dbc:Audio_engineering dbc:New_media
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rdfs:label	Recording studio as an instrument (en)
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