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- Composed by Bide and Marçal, recorded by Mario Reis in 1933 (en)
- Composed by Homero Dornelas, recorded by Bando de Tangarás; hit in the Rio carnival of 1930 (en)
- Composed by Ismael Silva, Nilson Bastos and Francisco Alves; recorded by Francisco Alves and Mário Reis in 1931 (en)
- Considered the landmark of samba as a musical genre (en)
- Composed by Assis Valente, recorded by Carmen Miranda in 1939 (en)
- Composed by Pixinguinha and Cícero de Almeida, recorded by Patrício Teixeira and Trio T.B.T in 1932 (en)
- Composed by Heitor dos Prazeres, recording by Benedito Lacerda with accompaniment by Gente do Morro in 1930 (en)
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- At that time, samba did not work for carnival groups to walk on the street as we see today. I started noticing that there was this thing. The samba was like this: tan tantan tan tantan. It was not possible. How would a bloc get out on the street like that? Then, we started making a samba like this: bum bum paticumbum pugurumdum. (en)
- At the end of the carnival, samba has continued because we did samba all year. At Café Apolo, Café do Compadre, across the street, at the backyard feijoadas or at dawn, on street corners and in bars. Then the police used to come and bother us. But it didn't bother the guys of Amor, which had a headquarter and license to parade at the carnival. We decided to organize a carnival bloc, even without a license, that could allow us to go out at the carnival and do samba all year round. Organization and respect, without fights or huffing, were important. It was called "Deixa Falar" as it despises the middle class ladies of the neighborhood who used to call people a vagabond. We were malandros, in a good way, but vagabonds weren't. (en)
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