Horn, Walter. 2015. "Tonality, Musical Form, and Aesthetic Value" . Perspectives of New Music 53, no. 2:201–235.
Griffiths, Paul. 1978. Boulez. Oxford Studies of Composers 16. London and New York: Oxford University Press. .
Felder, David. 1977. "An Interview with Karlheinz Stockhausen". Perspectives of New Music 16, no. 1 : 85–101.
שיטה לכתיבת מוזיקה
Leibowitz, René. 1947. Schoenberg et son école: l'étape contemporaine du langage musical. [Paris]: J.B. Janin. .
Campbell, Edward. 2010. Boulez, Music and Philosophy. Music in the Twentieth Century 27. Cambridge and New York: Cambridge University Press. .
Jalowetz, Heinrich. 1944. "On the Spontaneity of Schoenberg's Music". The Musical Quarterly 30, no. 4 : 385–408.
طريقة موسيقية
Sherlaw Johnson, Robert. Messiaen, revised and updated edition. Berkeley and Los Angeles: University of California Press. .
Morgan, Robert. 1975. "Stockhausen's Writings on Music". The Musical Quarterly 61, no. 1 : 1–16. Reprinted in The Musical Quarterly 75, no. 4 : 194–206.
Keller, Hans. 1955. "Strict Serial Technique in Classical Music". Tempo no. 37 : 12–16, 21–24.
Delahoyde, Michael. n.d. "20th-Century Music". Author's website, Washington State University.
Boulez, Pierre. 1954. "… auprès et au loin". Cahiers de la Compagnie Madeleine Renaud–Jean-Louis Barrault 2, no. 3:7–27. Reprinted in Relevés d’apprenti, edited by Paule Thévenin. Collection "Tel quel". Paris: Éditions du Seuil, 1966, 183–203. Also reprinted in Points de repère, third edition, 1:287–314. Paris: Christian Bourgois, 1995. English version, as ". . .Auprès et au loin", in Pierre Boulez, Notes of an Apprenticeship, texts collected and presented by Paule Thévenin, translated by Herbert Weinstock, 182–204. New York: Alfred A. Knopf, 1968. Another English version, as "Near and Far", in Pierre Boulez, Stocktakings from an Apprenticeship, translated by Stephen Walsh, with an introduction by Robert Piencikowski, 141–157. Oxford: Clarendon Press; New York: Oxford University Press, 1991. .
Newlin, Dika. 1974. "Secret Tonality in Schoenberg's Piano Concerto". Perspectives of New Music 13, no. 1 :137–139.
Krumhansl, Carol., Sandell, Gregory, and Sergeant, Desmond. 1987. "The perception of tone hierarchies and mirror forms in twelve-tone music", Music Perception 5, no. 1: 31–78.
Perle, George. 1977. Twelve-tone Tonality. Berkeley: University of California Press.
Stockhausen, Karlheinz, and Rudolf Frisius. 1998. "Es geht aufwärts". In: Karlheinz Stockhausen, Texte zur Musik 9, edited by Christoph von Blumröder, 391–512. Kürten: Stockhausen-Verlag.
Pousseur, Henri. 1970. "En guise de conclusion: Pour une Périodicitée generalisée". In his Fragments théoriques I: Sur la musique expérimentale, 241–290. Études de sociologie de la musique. Brussels: Editions de l’Institut de Sociologie Université Libre de Bruxelles.
Locanto, Massimiliano. 2010. "Karel Goeyvaerts – Henry Pousseur: deux compositeurs belges au cœur de la Nouvelle Musique". In Album Belgique, edited by Annamaria Laserra, 151–164. Brussels: P. I. E. Peter Lang. .
Mead, Andrew. 1985. "Large-Scale Strategy in Arnold Schoenberg's Twelve-Tone Music". Perspectives of New Music 24, no. 1 : 120–157.
Koenig, Gottfied Michael. 1999. Ästhetische Praxis: Texte zur Musik, Supplement I, edited by Stefan Fricke, Wolf Frobenius, and Sigrid Konrad. Quellentexte der Musik des 20. Jahrhunderts 1.4. Saarbrücken: Pfau-Verlag, 1999. .
Cott, Jonathan. 1973. Stockhausen; Conversations with the Composer, New York: Simon & Schuster.
音樂方法或作曲技巧
Grant, Morag Josephine. 2001. Serial Music Serial Aesthetics: Compositional Theory in Post-War Europe. Music in the Twentieth Century, Arnold Whittall, general editor. Cambridge: Cambridge University Press. .
Lerdahl, Fred. 1988. "Cognitive Constraints on Compositional Systems". In Generative Processes in Music, ed. John Sloboda. Oxford: Oxford University Press. Reprinted in Contemporary Music Review 6, no. 2 :97–121.
musiikin sävellys- ja analysointimenetelmä
Cope, David. 1971. New Directions in Music. Dubuque, Iowa: W. C. Brown Co. .
mètode de composició musical
método de composición musical
metoda komponování hudby
Griffiths, Paul. 2001. "Serialism". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell, 23:116–123. London: Macmillan.
Schoffman, Nachum. 1981. "Serialism in the Works of Charles Ives". Tempo 138: 21–32.
musical method or technique of composition
Collot, Michelle. 2008. "Le génie des lieux". In Michel Butor: déménagements de la littérature, edited by Mireille Calle-Gruber, 73–84. Paris: Presses Sorbonne Nouvelle. .
serieak erabiltzen dituen konposaketa teknika bat
Gerstner, Karl. 1964. Designing Programmes: Four Essays and an Introduction, with an introduction to the introduction by Paul Gredinger. English version by D. Q. Stephenson. Teufen, Switzerland: Arthur Niggli. Enlarged, new edition 1968.
muziekgenre
метод композиторства
Frisius, Rudolf. 1998. Serielle Musik. In: Die Musik in Geschichte und Gegenwart: allgemeine Enzyklopädie der Musik. Second, newly compiled edition, edited by musicologists Ludwig Finscher, part 1 , vol. 8 : 1327–1354. Kassel & New York: Bärenreiter; Stuttgart: Metzler. .
Walker, Alan. 1986. Franz Liszt, volume two: The Weimar Years 1848–1861. New York: Knopf. .
Schoenberg, Arnold. 1975. Style and Idea: Selected Writings of Arnold Schoenberg. Edited by Leonard Stein, translated by Leo Black. Berkeley and Los Angeles: University of California Press. .
Bochner, Mel. 1967. "The Serial Attitude". Artforum 6, no. 4 : 28–33.
Pousseur, Henri. 1997. "Zeitmasze: série, périodicité, individuation". Chapter 12 of his Musiques croisées, preface by Jean-Yves Bosseur, 171–189. Collection Musique et Musicologie. Paris: L'Harmattan.
Heinemann, Stephen. 1998. "Pitch-Class Set Multiplication in Theory and Practice". Music Theory Spectrum 20, no. 1:72–96.
Babbitt, Milton. 1987. Words about Music, edited by Stephen Dembski and Joseph N. Straus. Madison: University of Wisconsin Press.
muzika metodo
Tick, Judith. 2001. "Crawford , Ruth ". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan.
technique de composition musicale fondée sur l'utilisation de séries d'éléments musicaux
Goeyvaerts, Karel. 1994. "Paris–Darmstadt 1947–1956: Excerpt from the Autobiographical Portrait", translated by Patrick Daly, Peter Vosch, and Roger Janssens. Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap 48 : 35–54.
Grant, Morag Josephine. 2006. Untitled review of Wege zum musikalischen Strukturalismus: René Leibowitz, Pierre Boulez, John Cage und die Webern-Rezeption in Paris um 1950, by Inge Kovács ; Die soziale Isolation der neuen Musik: Zum Kölner Musikleben nach 1945, by Michael Custodis ; Reihe und System: Signaturen des 20. Jahrhunderts. Symposiumsbericht, edited by Sabine Meine . Music & Letters 87, no. 2 : 346–352.
Steinberg, Michael. 1998. The Symphony: A Listener's Guide. Oxford: Oxford University Press.
Maconie, Robin. 2005. Other Planets: The Music of Karlheinz Stockhausen. Lanham, Maryland, Toronto, Oxford: The Scarecrow Press. .
Sabbe, Herman. 1977. Het muzikale serialisme als techniek en als denkmethode: Een onderzoek naar de logische en historische samenhang van de onderscheiden toepassingen van het seriërend beginsel in de muziek van de periode 1950–1975. Ghent: Rijksuniversiteit te Gent.
technika kompozytorska w muzyce współczesnej
Bandur, Markus. 2001. Aesthetics of Total Serialism: Contemporary Research from Music to Architecture. Basel, Boston and Berlin: Birkhäuser.
Guderian, Dietmar. 1985. "Serielle Strukturen und harmonikale Systeme". In Vom Klang der Bilder: die Musik in der Kunst des 20. Jahrhunderts, edited by Karin von Maur, 434–437. Munich: Prestel-Verlag.
Mosch, Ulrich. 2004. Musikalisches Hören serieller Musik: Untersuchungen am Beispiel von Pierre Boulez' "Le Marteau sans maître". Saarbrücken: Pfau-Verlag.
Shatzkin, Merton. 1977. "A Pre-Cantata Serialism in Stravinsky". Perspectives of New Music 16, no. 1 : 139–143.
Pousseur, Henri. 1959. "Forme et pratique musicales". Revue Belge de Musicologie 13:98–116. Slightly revised and expanded version, trans. into English as "Music, Form and Practice ". Die Reihe 6 : 77–93.
Kohl, Jerome. 2002. "Serial Composition, Serial Form, and Process in Karlheinz Stockhausen's Telemusik." In Electroacoustic Music: Analytical Perspectives, ed. Thomas Licata, 91–118. Westport, Conn. and London: Greenwood Press. .
Leray, Pascal. 2008. Portrait de la série en jeune mot. Mazères: Le chasseur abstrait éditeur. .
Bosseur, Jean-Yves. 1989. "Votre Faust, miroir critique". Revue belge de musicologie/Belgisch tijdschrift voor muziekwetenschap 43 : 57–70.
Whittall, Arnold. 2008. The Cambridge Introduction to Serialism. Cambridge Introductions to Music. New York: Cambridge University Press. .
Ruwet, Nicolas. 1959. "Contradictions du langage sériel". Revue Belge de Musicologie 13 , 83–97. English trans., as "Contradictions within the Serial Language". Die Reihe 6 : 65–76.
Waelti-Walters, Jennifer R. 1992. Michel Butor. Collection monographique Rodopi en littérature française contemporaine 15. Amsterdam and Atlanta: Rodopi. .
. 1983. Das Phänomen des Seriellen in der Kunst: Aspekte einer künstlerischen Methode von Monet bis zur amerikanischen Pop Art. Würzburg: Könighausen + Neumann.
序列主义
Сериализм
Serialismus
Serialisme
سيرياليزم
Musique sérielle
セリエル音楽
Serializm
Serialismo
음렬주의
Serialism
Серіалізм
Seria muziko
Serielle Musik
Seriell musik