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Categorizations of simultaneous or successive sounds

Property Value
dbo:description
  • muziek (nl)
  • categorizaciones de sonidos simultáneos y sucesivos (es)
  • catégorisation de sons simultanés ou successifs (fr)
  • kategorisasi suara simultan atau berurutan (in)
  • razvrščanje hkratnih ali zaporednih zvokov (sl)
  • categorizations of simultaneous or successive sounds (en)
  • במוזיקה: סיווגים של צלילים סימולטניים או עוקבים (iw)
  • Понятие в теории музыки и лингвистике (ru)
  • категорії гармонії (uk)
  • 將繼響起的樂音進行分類的一種方式 (zh)
  • 音の状態 (ja)
dbo:soundRecording
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dbo:wikiPageExternalLink
dbo:wikiPageWikiLink
dbp:align
  • right (en)
dbp:alt
  • A consonance (en)
  • A dissonance (en)
dbp:caption
  • Consonance may be explained as caused by a larger number of aligning harmonics between two notes.File:Just perfect fifth on C.mid Dissonance is caused by the beating between close but non-aligned harmonics.File:Major tone on C.mid (en)
  • Minor second, a dissonance130px (en)
  • Perfect octave, a consonant interval130px (en)
  • One component of dissonance – the uncertainty or confusion as to the virtual pitch evoked by an interval or chord, or the difficulty of fitting its pitches to a harmonic series – is modelled by harmonic entropy theory. Dips in this graph show consonant intervals such as 4:5 and 2:3 . Other components not modeled by this theory include critical band roughness, and tonal context . (en)
  • Dissonance may be the difficulty in determining the relationship between two frequencies, determined by their relative wavelengths. Consonant intervals take less, while dissonant intervals take more time to be determined.File:Minor diatonic semitone on C.mid (en)
dbp:colwidth
  • 25 (xsd:integer)
dbp:date
  • January 2015 (en)
  • July 2014 (en)
  • November 2022 (en)
  • April 2020 (en)
dbp:description
  • Illustrating the roughness and beat oscillations that gradually reduce as the interval moves towards the unison (en)
dbp:direction
  • vertical (en)
dbp:filename
  • Dissonance-M2-to-unison.ogg (en)
dbp:image
  • Minor second on C.png (en)
  • Perfect octave on C.png (en)
  • Dyadic harmonic entropy graph .png (en)
  • Interval wavelength minor second.png (en)
  • Line up of harmonics for PU with P5 and with M2.png (en)
dbp:quote
  • from Michael Haydn's Missa Quadragesimalis, MH 552 performed by Purcell Choir and Orfeo Orchestra conducted by György Vashegyi (en)
dbp:reason
  • This all appears to describe Schulter's 'neo-medieval' practice, not true medieval usages. (en)
  • How could just intonation justify a medieval conception? (en)
  • similar to tritones (en)
  • There does not seem to have existed a medieval consideration of "harmonic consonance": what does that mean? (en)
  • Are these being treated the same, or differently from the perfect consonances, or the same or differently from dissonances, and how? In other words, how can we tell whether Machaut is treating them as consonances or as dissonances? (en)
  • This cannot be true: harmonic partials were unknown in the Middle Ages. (en)
dbp:reference
  • Lahdelma, Imre, and Tuomas Eerola . "Cultural Familiarity and Musical Expertise Impact the Pleasantness of Consonance / Dissonance but Not Its Perceived Tension." Scientific Reports 10, no. 8693 (en)
  • Vassilakis, Panteleimon Nestor, and K. Fitz . SRA: A web-based research tool for spectral and roughness analysis of sound signals. Supported by a Northwest Academic Computing Consortium grant to J. Middleton, Eastern Washington University. (en)
  • Hucbald of Saint-Amand . Musica. GS I, pp. 103–122. (en)
  • Butler, David, and Burdette Green . "From Acoustics to Tonpsychologie". In The Cambridge History of Western Music Theory, edited by Thomas Christensen, 246–271. The Cambridge History of Music 3. Cambridge and New York: Cambridge University Press. . (en)
  • Benward, Bruce, and Marilyn Saker . Music: In Theory and Practice, Vol. I., seventh edition. New York: McGraw-Hill Higher Education. . (en)
  • Stumpf, Carl . Tonpsychologie, vol. II. Leipzig: S. Hirzel. Reprinted Hilversum: F. Knuf, 1965. (en)
  • Forte, Allen. . Tonal Harmony in Concept and Practice, third edition. New York: Holt, Rinehart and Winston, . (en)
  • Pankovski, Toso, and Ana Pankovska . "Nonspecific hebbian neural network model predicts musical scales discreteness and just intonation without using octave-equivalency mapping". Nature - Scientific Reports 12, 8795. (en)
  • Haerle, Dan . The Jazz Language: A Theory Text for Jazz Composition and Improvisation. [S.l.]: Studio 224. . (en)
  • Pankovski, Toso, and Eva Pankovska . "Emergence of the consonance pattern within synaptic weights of a neural network featuring Hebbian neuroplasticity". Biologically Assisted Cognitive Architectures 22 : 82–94. (en)
  • Vassilakis, Panteleimon Nestor . Perceptual and Physical Properties of Amplitude Fluctuation and their Musical Significance. Doctoral dissertation. University of California, Los Angeles. (en)
  • Christensen, Thomas . "Introduction". The Cambridge History of Western Music Theory. Cambridge: Cambridge University Press. . (en)
  • Philip, James A. . Pythagoras and Early Pythagoreanism. Toronto: University of Toronto Press. (en)
  • Whittaker, W.G. . The Cantatas of Johann Sebastian Bach. London and New York: Oxford University Press. (en)
  • Gerbert, Martin . Scriptores ecclesiastici de musica sacra potissimum: ex variis Italiae, Galliae & Germaniae codicibus manuscriptis, 3 vols. [n.p.]: Typis San-Blasianis. Reprinted, Hildesheim: G. Olms, 1963. [GS] (en)
  • Cowell, Henry . New Musical Resources. New York: Something Else Press. . (en)
  • Boethius, Anicius . De institutione musica, vol. I, Ms Cambridge, Trinity College, R.15.22 , f. 13v. Electronic edition on CHTML. (en)
  • Vassilakis, Panteleimon Nestor . "Auditory Roughness as Means of Musical Expression". Selected Reports in Ethnomusicology, 12: 119–144. (en)
  • Tymoczko, Dimitri . A Geometry of Music: Harmony and Counterpoint in the Extended Common Practice. Oxford and New York: Oxford University Press. . (en)
  • Dahlhaus, Carl . Studies in the Origin of Harmonic Tonality, translated by Robert O. Gjerdigan. Princeton: Princeton University Press. . (en)
  • Tenney, James . A History of "Consonance" and "Dissonance". New York: Excelsior Music Publishing Company. (en)
  • Gouwens, John . Composing for the Carillon. Culver IN: Culver Academy Press. (en)
  • Parncutt, Richard, and Graham Hair . "Consonance and Dissonance in Music Theory and Psychology: Disentangling dissonant dichotomies". Journal of Interdisciplinary Music Studies 5, no. 2 : 119–66. (en)
  • Renard Vallet, Emilio . "Sonancia: una clarificación conceptual [Sonance: A conceptual clarification]". Quodlibet, 61: 58–64. (en)
  • Gerson, A., and J. L. Goldstein . "Evidence for a General Template in Central Optimal Processing for Pitch of Complex Tones". Journal of the Acoustical Society of America 63:498–510. (en)
  • Levelt, Willem, and Reiner Plomp . "The Appreciation of Musical Intervals". In Actes du cinquième Congrès international d'esthétique/Proceedings of the Fifth International Congress of Aesthetics, edited by Jan Aler, 901–904. The Hague: Mouton. (en)
  • Johannes de Garlandia . De musica mensurabili positio, text on CHTML at Indiana University. (en)
  • Stein, Erwin. 1953. Orpheus in New Guises. London: Rockliff. Reprinted Westport, Conn.: Hyperion Press, 1979. . (en)
dbp:small
  • yes (en)
dbp:title
  • Two pitches moving from the interval of a Minor 2nd to a unison (en)
dbp:width
  • 40 (xsd:integer)
  • 150 (xsd:integer)
  • 350 (xsd:integer)
dbp:wikiPageUsesTemplate
dct:subject
rdfs:label
  • Consonance and dissonance (en)
  • Dissonant (en)
  • Konsonanz und Dissonanz (de)
  • Consonancia y disonancia (es)
  • Fals (in)
  • Consonanza e dissonanza (it)
  • 협화음과 불협화음 (ko)
  • 協和音と不協和音 (ja)
  • Vals (muziek) (nl)
  • Consonância e dissonância (pt)
  • Консонанс и диссонанс (ru)
  • Консонанс і дисонанс (uk)
  • 协和与不协和 (zh)
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