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- direktor di sine merikano (pap)
- അമേരിക്കയിലെ ചലച്ചിത്ര അഭിനേതാവ് (ml)
- އެމެރިކާއަށް އުފަން އެކްޓަރެއް (dv)
- Òṣèré Ọmọ Orílẹ̀-èdè America (yo)
- Amerikaans filmregisseur (nl)
- yhdysvaltalainen elokuvaohjaaja (fi)
- במאי קולנוע אמריקאי (iw)
- تهیهکننده، فیلمنامهنویس، بازیگر، و کارگردان آمریکایی (fa)
- Amerikalı film yönetmeni, senarist ve sinema oyuncusu (tr)
- americký režisér, scenárista a producent (cs)
- amerikai színész, filmrendező, forgatókönyvíró, producer (hu)
- amerikāņu kinorežisors un scenārists (lv)
- regista e sceneggiatore statunitense (it)
- американский кинорежиссёр и сценарист (ru)
- американски филмов режисьор (bg)
- مخرج أمريكي (ar)
- amerikansk filmregissör, manusförfattare och skådespelare (sv)
- American film director, screenwriter and actor (en)
- amerykański reżyser, scenarzysta, aktor i muzyk (pl)
- director y guionista estadounidense (es)
- réalisateur et musicien américain (fr)
- stiúrthóir, léiritheoir, eagarthóir, scríbhneoir agus aisteoir scannáin (ga)
- Sutradara, penulis skenario, dan aktor film Amerika (in)
- US-amerikanischer Filmregisseur, Drehbuchautor, Schauspieler und Filmproduzent (de)
- cyfarwyddwr ffilm, cynhyrchydd, sgriptiwr ffilm ac actor a aned yn Cuyahoga Falls yn 1953 (cy)
- ამერიკელი კინორეჟისორი, სცენარისტი და მსახიობი (ka)
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- The key, I think, to Jim, is that he went gray when he was 15... As a result, he always felt like an immigrant in the teenage world. He's been an immigrant—a benign, fascinated foreigner—ever since. And all his films are about that. (en)
- Nothing is original. Steal from anywhere that resonates with inspiration or fuels your imagination. Devour old films, new films, music, books, paintings, photographs, poems, dreams, random conversations, architecture, bridges, street signs, trees, clouds, bodies of water, light and shadows. Select only things to steal from that speak directly to your soul. If you do this, your work will be authentic. Authenticity is invaluable; originality is nonexistent. And don't bother concealing your thievery—celebrate it if you feel like it. In any case, always remember what Jean-Luc Godard said: "It's not where you take things from—it's where you take them to." (en)
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- That's where I saw things I had only read about and heard about—films by many of the good Japanese directors, like Imamura, Ozu, Mizoguchi. Also, films by European directors like Bresson and Dreyer, and even American films, like the retrospective of Samuel Fuller's films, which I only knew from seeing a few of them on television late at night. When I came back from Paris, I was still writing, and my writing was becoming more cinematic in certain ways, more visually descriptive. (en)
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