About: Process music

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Movement in music, originating from the 1960s, in which music is generated from a process, sometimes in a way audible to the listener

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  • movement in music, originating from the 1960s, in which music is generated from a process, sometimes in a way audible to the listener (en)
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  • Annea Lockwood (en)
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  • Annea Lockwood (en)
dbp:conducted
  • 2003-11-11 (xsd:date)
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  • annea-lockwood-beside-the-hudson-river (en)
dbp:published
  • 2004-01-01 (xsd:date)
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  • . 1977. Het muzikale serialisme als techniek en als denkmethode: Een onderzoek naar de logische en historische samenhang van de onderscheiden toepassingen van het seriërend beginsel in de muziek van de periode 1950–1975 [Musical Serialism as a Technique and as a Method of Thinking: A Study of the Logical and Historical Interconnections Between the Different Applications of the Serial Principle from the Period 1950–1975]. Ghent: Rijksuniversiteit te Gent. (en)
  • Griffiths, Paul. 2001. "Aleatory". The New Grove Dictionary of Music and Musicians, 2nd edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Seibt, Johanna . 2004. Process Theories: Crossdisciplinary Studies in Dynamic Categories. Dordrecht and London: Kluwer Academic Publishers. . (en)
  • Brown, Galen H. 2010. "Process as Means and Ends in Minimalist and Postminimalist Music". Perspectives of New Music 48, no. 2 : 180–192. (en)
  • Nyman, Michael. 1974. Experimental Music. Cage and Beyond. London: Studio Vista. . (en)
  • Griffiths, Paul. 2011. Modern Music and After, 3rd edition. Oxford and New York: Oxford University Press. . (en)
  • Gann, Kyle. 1987. "Let X = X: Minimalism vs. Serialism". The Village Voice : 76. (en)
  • Brandt, William E. 1974. "The Music of Elliott Carter: Simultaneity and Complexity". Music Educators Journal 60, no. 9 : 24–32. (en)
  • Kohl, Jerome. 1978. "Intuitive Music and Serial Determinism: An Analysis of Stockhausen's Aus den sieben Tagen." In Theory Only 3, no. 2 : 7–19. (en)
  • Bernard, Jonathan. 1995. "Carter and the Modern Meaning of Time". The Musical Quarterly 79, no. 4 : 644–682. (en)
  • Edwards, Allen. 1971. Flawed Words and Stubborn Sounds: A Conversation with Elliott Carter. New York: W. W. Norton. (en)
  • Hopp, Winrich. 1998. Kurzwellen von Karlheinz Stockhausen: Konzeption und musikalische Poiesis. Kölner Schriften zur neuen Musik 6. Mainz; New York: Schott. (en)
  • Sabbe, Herman. 1981. "Die Einheit der Stockhausen-Zeit ...: Neue Erkenntnismöglichkeiten der seriellen Entwicklung anhand des frühen Wirkens von Stockhausen und Goeyvaerts. Dargestellt aufgrund der Briefe Stockhausens an Goeyvaerts". In Musik-Konzepte 19: Karlheinz Stockhausen: ... wie die Zeit verging ..., edited by Heinz-Klaus Metzger and Rainer Riehn, 5–96. Munich: Edition Text + Kritik. (en)
  • Fritsch, Johannes. 1979. "Prozeßplanung". In Improvisation und neue Musik, Veröffentlichungen des Instituts für Neue Musik und Musikerziehung Darmstadt 20, edited by Reinhold Brinkmann, 108–117. Mainz: B. Schott's Söhne. (en)
  • Reich, Steve. 2002. "Music as a Gradual Process (1968)". In his Writings about Music, 1965–2000, edited with an introduction by Paul Hillier, 9–11. Oxford and New York: Oxford University Press. ; . (en)
  • Schiff, David. 1998. The Music of Elliott Carter, second edition. Ithaca, New York: Cornell University Press. (en)
  • Christensen, Erik. 2004. "Overt and Hidden Processes in 20th Century Music", in Process Theories: Crossdisciplinary Studies in Dynamic Categories, edited by Johanna Seibt, 97–117. Dordrecht and London: Kluwer Academic Publishers. . (en)
  • Kohl, Jerome. 1981. Serial and Non-Serial Techniques in the Music of Karlheinz Stockhausen from 1962–1968. Ph.D. diss., Seattle: University of Washington. (en)
  • Kohl, Jerome. 2010. "A Child of the Radio Age". In Cut & Splice: Transmission, edited by Daniela Cascella and Lucia Farinati, 135–139. London: Sound and Music. . (en)
dbp:title
  • Annea Lockwood Beside the Hudson River (en)
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  • Process music (en)
  • Process music (cs)
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