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- "The first few scenes set on the bus pin their jokes on visual gags and slapstick, which is met with varying degrees of success. But, once pie comes into the equation, it's like Forrester and his fellow writers hit upon a magical key that unlocks the height of funniness within The Offices ensemble. This upward incline in quality is further proof that character needs to drive the show's bus—The Office may be a situation comedy, but its situations don't sing if they're out of sync with Dwight, Jim, and their co-workers." (en)
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