About: Mode (music)

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Type of musical scale

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dbo:description
  • type of musical scale (en)
  • hudební termín (cs)
  • birbirlerinin notalarından başlayarak oluşturulan gamların seti (tr)
  • System der Interaktion von Klängen (de)
  • Typ av musikalisk skala (sv)
  • rodzaj układu skali muzycznej (pl)
  • sävelasteikko (fi)
  • tipo de escala musical (es)
  • tipus d'escala musical (ca)
  • структурная разновидность звукорядов; система взаимоотношений групп аккордов (ru)
  • organisation des hauteurs d'une échelle autour d'une tonique (fr)
  • nell’antica musica greca e nelle composizioni medievali, successioni prestabilite di toni e semitoni che caratterizzano una scala, organizzate in base al principio della modalità (it)
  • дыбыс қатарындағы дыбыстардың өзара қарым-қатынас жүйесі (kk)
  • вид на музичка скала (mk)
  • תבנית של סולם מוסיקלי (iw)
  • نوع من أنواع السلم الموسيقي (ar)
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dbp:caption
  • Diatonic major scale on C, a "white note" scale (en)
  • The modern modes on C (en)
  • The modern Aeolian mode on A (en)
  • The modern Dorian mode on D (en)
  • The modern Ionian mode on C (en)
  • The modern Locrian mode on B (en)
  • The modern Lydian mode on F (en)
  • The modern Mixolydian mode on G (en)
  • The modern Phrygian mode on E (en)
  • The three genera of the Dorian octave species on E (en)
dbp:content
  • 345600.0 (dbd:second)
  • { \key c \dorian \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 c4^\markup { Dorian mode, II, on C } d es f g a bes c } } { \override Score.TimeSignature #'stencil = ##f \key c \phrygian \relative c' { \clef treble \time 7/4 c4^\markup { Phrygian mode, III, on C } des es f g aes bes c } } { \override Score.TimeSignature #'stencil = ##f \key c \lydian \relative c' { \clef treble \time 7/4 c4^\markup { Lydian mode, IV, on C } d e fis g a b c } } { \override Score.TimeSignature #'stencil = ##f \key c \mixolydian \relative c' { \clef treble \time 7/4 c4^\markup { Mixolydian mode, V, on C } d e f g a bes c } } { \override Score.TimeSignature #'stencil = ##f \key c \aeolian \relative c' { \clef treble \time 7/4 c4^\markup { Aeolian mode, VI, on C } d es f g aes bes c } } { \override Score.TimeSignature #'stencil = ##f \key c \locrian \relative c' { \clef treble \time 7/4 c4^\markup { Locrian mode, VII, on C } des es f ges aes bes c } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 e4^\markup { Enharmonic genus } feh geses a b ceh deses e } } { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 e4^\markup { Chromatic genus } f ges a b c des e } } { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 4/4 e4^\markup { Diatonic genus } f g a b c d e } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 7/4 a4 b c d e f g a } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 f4 g a b c d e f } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c' { \clef treble \time 7/4 e4 f g a b c d e } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 7/4 b4c d e f g a b } } (en)
  • { \override Score.TimeSignature #'stencil = ##f \relative c'' { \clef treble \time 7/4 g4 a b c d e f g } } (en)
dbp:date
  • 2011-07-16 (xsd:date)
  • October 2024 (en)
dbp:reason
  • No description given of what it means for a chord to be "dual" to another. Needs to be spelled out here. (en)
  • No description given of what it means for a key signature to be "dual" to another. Needs to be spelled out here. (en)
  • Paragraph is too long; sentences run together; reasoning is too obscure, if valid at all. (en)
  • No description given of what "chord qualities" means. (en)
dbp:reference
  • Smith, Charlotte . A Manual of Sixteenth-Century Contrapuntal Style. Newark: University of Delaware Press; London: Associated University Presses. . (en)
  • Hiley, David . "Mode". The Oxford Companion to Music, edited by Alison Latham. Oxford and New York: Oxford University Press. . (en)
  • Mathiesen, Thomas J. . "Tonos". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Barton, Louis W. G. . "§ Influence of Byzantium on Western Chant". The Neume Notation Project: Research in Computer Applications to Medieval Chant. (en)
  • Curtis, Liane . "Mode". In Companion to Medieval and Renaissance Music, edited by Tess Knighton and David Fallows, pp. 255-264. Berkeley: University of California Press. . (en)
  • Bélis, Annie . "Aristoxenus". Grove Music Online. . (en)
  • Anderson, Warren, and Thomas J. Mathiesen . "Ethos". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Cott, Jonathan . Stockhausen: Conversations with the Composer. New York: Simon and Schuster. . (en)
  • Nikodēmos 'Agioreitēs [St Nikodemos of the Holy Mountain] . 'Eortodromion: ētoi 'ermēneia eis tous admatikous kanonas tōn despotikōn kai theomētorikōn 'eortōn, edited by Benediktos Kralidēs. Venice: N. Gluku. Reprinted, Athens: H.I. Spanos, 1961. (en)
  • Pratt, Waldo Selden . The History of Music: A Handbook and Guide for Students. New York: G. Schirmer. (en)
  • Mathiesen, Thomas J. . Aristides Quintilianus. On Music. Translated by Thomas J. Mathiesen. New Haven and London: Yale University Press. (en)
  • Vieru, Anatol . "Modalism – A 'Third World'". Perspectives of New Music 24, no. 1 : 62–71. (en)
  • Chafe, Eric Thomas . Monteverdi's Tonal Language. New York: Schirmer Books. . (en)
  • Carroll, Nansi . The Walden School Musicianship Course: A Manual for Teachers. Dublin, New Hampshire, and San Francisco: The Walden School. (en)
  • Boyden, David D. . "Manual of Counterpoint". Carl Fischer. . (en)
  • Mathiesen, Thomas J. . "Harmonia ". The New Grove Dictionary of Music and Musicians, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Dahlhaus, Carl . Untersuchungen über die Entstehung der harmonischen Tonalität. Kassel. (en)
  • Glareanus, Henricus . Dodecachordon, Volume 1, translated by Clement Albin Miller. Musicological Studies and Documents 6. [Rome]: American Institute of Musicology. (en)
  • Fallows, David . "Tenor §1". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Gómez, Francisco, José Miguel Díaz-Báñez, Emilia Gómez, and Joaquin Mora . "Flamenco Music and Its Computational Study". In Proceedings of Bridges 2014: Mathematics, Music, Art, Architecture, Culture, edited by Gary Greenfield, George Hart, and Reza Sarhangi, 119–126. Phoenix, Arizona: Tessellations Publishing. . (en)
  • Palisca, Claude V. . "Introductory Notes on the Historiography of the Greek Modes". The Journal of Musicology 3, no. 3 : 221–228. . (en)
  • Bower, Calvin M. . "The Modes of Boethius". The Journal of Musicology 3, no. 3 : 252–263. . (en)
  • Samson, Jim . Music in Transition: A Study of Tonal Expansion and Atonality, 1900–1920. Oxford & New York: Oxford University Press. . (en)
  • Wiering, Frans . The Language of the Modes: Studies in the History of Polyphonic Modality. Breukelen: Frans Wiering. (en)
  • Carver, Anthony F. . "Bruckner and the Phrygian Mode". Music & Letters 86, no. 1:74–99. (en)
  • Dahlhaus, Carl . Studies on the Origin of Harmonic Tonality. Princeton, New Jersey: Princeton University Press. . (en)
  • Marx, Adolf Bernhard . The School of Musical Composition, translated from the fourth edition of the original German by August Heinrich Wehrhan. London: Robert Cocks and Co.; Leipzig: Breitkopf and Härtel. (en)
  • Barbera, André . "Octave Species". The Journal of Musicology 3, no. 3 : 229–241. (en)
  • Meier, Bernhard . Alte Tonarten: dargestellt an der Instrumentalmusik des 16. und 17. Jahrhunderts. Kassel: (en)
  • Levine, Mark . The Jazz Theory Book. Petaluma, California: Sher Music Co. . (en)
  • Barker, Andrew . Greek Musical Writings. 2 vols. Cambridge & New York: Cambridge University Press. . (en)
  • Anon. . "Plain-song". Chambers's Encyclopaedia: A Dictionary of Universal Knowledge, new edition. Volume 8: Peasant to Roumelia. London and Edinburgh: William & Robert Chambers, Ltd.; Philadelphia: J. B. Lippincott Co. (en)
  • Plato . The Republic of Plato, 2 vols., edited with critical notes, commentary, and appendices by James Adam. Cambridge: University Press. (en)
  • Cleonides . "Harmonic Introduction," translated by Oliver Strunk. In Source Readings in Music History, vol. 1 , edited by Oliver Strunk, 34–46. New York: W. W. Norton & Co. (en)
  • West, Martin L. . Ancient Greek Music. Oxford and New York: Oxford University Press . (en)
  • Hoppin, Richard . Medieval Music. The Norton Introduction to Music History. New York: Norton. . (en)
  • Jones, George Thaddeus . Music Theory. Barnes & Noble College Outline Series 137. New York: Barnes & Noble Books. . (en)
  • Taylor, John . The Student's Text-book of the Science of Music. London and Liverpool: George Philip and Son. (en)
  • Rockstro, W[illiam] S[myth] . "Modes, the Ecclesiastical". A Dictionary of Music and Musicians , by Eminent Writers, English and Foreign, vol. 2, edited by George Grove, D. C. L., 340–343. London: Macmillan. (en)
  • Palisca, Claude V. . Music and Ideas in the Sixteenth and Seventeenth Centuries. Studies in the History of Music Theory and Literature 1. Urbana and Chicago: University of Illinois Press. . (en)
  • Serna, Desi . Guitar Theory for Dummies. Hoboken, New Jersey: John Wiley & Sons. (en)
  • Mathiesen, Thomas J. . "Greece, §I: Ancient". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Porter, James . "Mode §IV: Modal Scales and Traditional Music". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Solomon, Jon . "Towards a History of Tonoi". The Journal of Musicology 3, no. 3 : 242–251. . (en)
  • Powers, Harold S. . "Mode". The New Grove Dictionary of Music and Musicians, second edition, edited by Stanley Sadie and John Tyrrell. London: Macmillan Publishers. (en)
  • Cooper, Peter . Mel Bay's Complete Irish Fiddle Player. Pacific, Missouri: Mel Bay Publications. . (en)
  • Meier, Bernhard . Die Tonarten der klassischen Vokalpolyphonie: nach den Quellen dargestellt. Utrecht. (en)
  • Winnington-Ingram, Reginald Pepys . Mode in Ancient Greek Music. Cambridge Classical Studies. Cambridge: Cambridge University Press. Reprinted, Amsterdam: Hakkert, 1968. (en)
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  • 300 (xsd:integer)
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dct:subject
rdfs:label
  • Mode (music) (en)
  • وضع موسيقي (ar)
  • Mode (música) (ca)
  • Modale Tonleitern (de)
  • Modus (hudba) (cs)
  • Τρόπος (μουσική) (el)
  • Modalo (muziko) (eo)
  • Modu (musika) (eu)
  • Mode (musique) (fr)
  • Modo musical (es)
  • Modo (musica) (it)
  • 旋法 (ja)
  • 선법 (음악) (ko)
  • Modaliteit (muziek) (nl)
  • Modo musical (pt)
  • Лад (музыка) (ru)
  • Modus (musik) (sv)
  • Лад (музика) (uk)
  • 调式 (zh)
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