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- amerykański reżyser filmowy (pl)
- direktor di sine merikano (pap)
- американски режисьор (bg)
- cinéaste (fr)
- director de cinema estatunidenc d'origen austríac. (ca)
- مخرج سينمائي استرالي أمريكي (ar)
- במאי קולנוע יהודי - אוסטרי - אמריקאי (iw)
- österreichisch-amerikanischer Regisseur (1894-1969) (de)
- Amerikaans filmregisseur (1894–1969) (nl)
- Austrian-American film director (1894-1969) (en)
- cyfarwyddwr ffilm, cynhyrchydd a sgriptiwr ffilm a aned yn Fienna yn 1894 (cy)
- austrijsko-američki filmski redatelj (hr)
- director de cine austriacoestadounidense (es)
- osztrák származású amerikai filmrendező (hu)
- rakouský režisér (cs)
- regizor austriaco-american (ro)
- Avusturyalı-Amerikalı film yönetmeni (1894 – 1969) (tr)
- regista, sceneggiatore e produttore cinematografico austriaco (it)
- österrikisk-amerikansk filmskapare (sv)
- itävaltalais-yhdysvaltalainen elokuvaohjaaja (1894–1969) (fi)
- Σκηνοθέτης του κινηματογράφου (el)
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- Josef von Sternberg on the set of Dishonored (en)
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- Nicholas Josef von Sternberg
Catherine Ann Wilner von Sternberg (en)
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- Los Angeles, California, U.S. (en)
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- 101.0 (dbd:perCent)
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- 1930.0 (dbd:second)
- The Epic That Never Was
The Epic That Never Was, a 1966 British Broadcasting Corporation documentary by London Films, directed by Bill Duncalf, attempts to address the making of the unfinished I, Claudius and the reasons for its failure.
The documentary includes interviews with surviving members from the cast and crew, as well as director Josef von Sternberg.
Contrary to the revised version of the documentary, the Sternberg-Laughton quarrels were not a central factor in the film's undoing. Despite objections from Merle Oberon, the film was not so far advanced in production that she could not be replaced; a substitute actress appears to have been a feasible option.
The material from the final edits would reveal that Sternberg "cut in the camera", i.e. he did not experiment on the set with multiple camera configurations that would provide raw material for the cutting room. On the contrary, he filmed each frame as he wished it to appear on the screen.
Film historian Andrew Sarris offers this assessment: "Sternberg emerges from the documentary as an undeniable force in the process of creation, and even his enemies confirm his artistic presence in every foot of the film he shot." (en)
- "This is the Shanghai Express. Everybody must talk like a train." (en)
- "[T]hat love can be unconditional is a hard truth for American audiences to accept at any time. Depression era audiences found it especially difficult to appreciate Sternberg's Empire of Desire ruled by Marlene Dietrich. If, in fact, Shanghai Express was successful at all, it was because it was completely misunderstood as a mindless adventure." (en)
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- Film historian Andrew Sarris – from ''The Films of Josef von Sternberg (en)
- Josef von Sternberg, when asked why all the actors in the film spoke in an even monotone. (en)
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- 1926 (xsd:integer)
- 1930 (xsd:integer)
- 1945 (xsd:integer)
- 1947 (xsd:integer)
- 1948 (xsd:integer)
- (en)
- Jean Annette McBride (en)
- Meri Otis Wilner (en)
- Riza Royce (en)
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- Josef von Sternberg (en)
- جوسيف فون ستيرنبيرغ (ar)
- Josef von Sternberg (ca)
- Josef von Sternberg (de)
- Josef von Sternberg (cs)
- Josef von Sternberg (eo)
- Josef von Sternberg (eu)
- Josef von Sternberg (es)
- Joseph von Sternberg (in)
- ジョセフ・フォン・スタンバーグ (ja)
- Josef von Sternberg (it)
- Josef von Sternberg (fr)
- 조셉 폰 스턴버그 (ko)
- Josef von Sternberg (pl)
- Josef von Sternberg (nl)
- Josef von Sternberg (pt)
- Штернберг, Джозеф фон (ru)
- Джозеф фон Штернберг (uk)
- Josef von Sternberg (sv)
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